biblography
 
  1. B. Adolphe, The Mind’s Ear, Missouri: MMB Music Inc, 1991.
  2.  

  3. D.P. Anderson and R. Kuivila. A System for Computer Music Performance, ACM Transactions on Computer Science 8(1):56, 1990.
  4.  

  5. E. Angel. Interactive Computer Graphics: a top-down approach with OpenGL, Addison-Wesley, 2000. 2nd Edition.
  6.  

  7. N. Ben-Or. The Alexander Technique in the Preparation and Performance of Music. Private Publication, 1988.
  8.  

  9. T.Boehm. The Flute and Flute-Playing, Dover Publications, Inc., 1964. Republished from 1922 revised edition. Original edition published 1872.
  10.  

  11. A. Burns and A. Wellings. Real-Time Systems and Programming Languages, Addison-Wesley, 2001. 3rd Edition.
  12.  

  13. W. Buxton and R. Dannenberg. The Computer as Musical Accompanist, ACM SIGCHI Conf. Proc. on Human Factors in Computing 17(4):41-43, 1996.
  14.  

  15. Casio Computer Co. Ltd. CTK-520L Keyboard Technical Specifications, 2000. Available from http://www.casio.com.
  16.  

  17. R.W. Chabay and B.A. Sherwood. A Practical Guide for the Creation of Education Software, in Computer-Assisted Instruction and Intelligent Tutoring Systems, Lawrence Erlbaum Associates, Inc., 1992.
  18.  

  19. R.Chapman. The Complete Guitarist. Dorling Kindersley, 1993.
  20.  

  21. Sally Chappell. Developing the complete pianist: a study of the importance of a whole-brain approach to piano teaching, B.J. Music Ed. 16(3):253-262, 1999.
  22.  

  23. D. Cope. Experiments in Musical Intelligence, A-R Editions, Inc., 1996.
  24.  

  25. G.R. Culley. "From syntax to semantics in Foreign Language CAI", in Computer-Assisted Instruction and Intelligent Tutor Systems, 1992.
  26.  

  27. R. Dick. The Other Flute, Oxford University Press, 1975.
  28.  

  29. E.W. Dijkstra. A note on Two Problems in Connection with Graphs, Numerische Mathematik 1:269-271, 1959.
  30.  

  31. S. Gordon, Etudes for Piano Teachers: Reflections on the Teacher’s Art, Oxford University Press, 1995.
  32.  

  33. John Harton, "The Importance of Enjoyment and Achievement", in Handbook for Music Teachers, Novello and Co Ltd., 1964.
  34.  

  35. P. Van Hentenryck. Constraint Satisfaction in Logic Programming, MIT Press 1989.
  36.  

  37. R.W. House. Instrumental Music for Today’s Schools. Prentice Hall, 1965.
  38.  

  39. T. Howell. The Anant-Garde Flute, University of California Press, 1974.
  40.  

  41. J. Huopaniemi, R. Hanninen, T. Ilmonen, H. Napari, T. Lokki, L. Savioja, H. Huopaniemi, M. M. Karjalainen, T. Tolonen, V. Valimaki, S. Valimaki and T. Takala. Virtual Orchestra Performance, ACM SIGGRAPH Visual Proceedings of SIGGRAPH’97 (p.81), 1997.
  42.  

  43. T. Ilmonen. Tracking Conductor of an Orchestra using Artificial Neural Networks, Master’s Thesis, Telecommunications Software and Multimedia Laboratory, Helsinki University of Technology, 1999.
  44.  

  45. Finn Jensen, Introduction to Bayesian Networks, UCL Press, 2001. 2nd Edition.
  46.  

  47. Ian Laurence. Music and the Teacher, The Pitman Press, 1975.
  48.  

  49. Loki Software. OpenAL Specification and Reference, October 2000. Version 1.0 (final draft). Available from http://www.openal.org.
  50.  

  51. Tapio Lokki, Jarmo Hiipakka, Rami Hanninen, Tommi Ilmonen, Lauri Savioja and Tapio Takala. Realtime audiovisual rendering and contemporary audiovisual art. Organised Sound 3(3): 219–33. Cambridge University Press, 1998.
  52.  

  53. W. Lytle.. More bells and whistles [video]. SIGGRAPH’90 Electronic Theater, 1990. Technically described in J. Hahn (ed.), Sound Synchronization and Synthesis for Computer Animation and Virtual Reality, Course Note 12, SIGGRAPH’94, 1994. Also described in IEEE Computer 24(7):4 and cover (July 1991).
  54.  

  55. R. Mager. Preparing Instructional Objectives, Atlantic Books, 1998. 3rd Edition.
  56.  

  57. Hideyuki Manta et al. A Computer Music System that Follows a Human Conductor. IEEE Computer 24(7):44-53, 1991.
  58.  

  59. Paul Messick. MAXIMUM MIDI: Music Applications in C++, Manning Publications, 1998.
  60.  

  61. MIDI Manufacturers Association. The Complete MIDI 1.0 Detailed Specification, March 1996. Version 96.1.
  62.  

  63. MIDI Manufacturers Association and Japan MIDI Standard Committee. General MIDI specification, September 1991. Available from: http://www.midi.org.
  64.  

  65. G. Morris. Flute Technique, Oxford University Press, 1991.
  66.  

  67. J.J.Quantz. On Playing the Flute, Faber and Faber, 1966.
  68.  

  69. B. Reimer. A Philosophy of Music Education. Prentice Hall, 1989.
  70.  

  71. Roland Corporation. General Sound (GS) Specification, 1990. Available from http://www.rolandus.com.
  72.  

  73. Roland Corporation. V-MT1 Music Tutor Visual MT Product Notes. Available from: http://www.rolandus.com/PRODUCTS/INFO/PDF/VMT1FX.PDF.
  74.  

  75. Roland Corporation. Wanna Play? (Or Do You Wanna Practise?). Available from: http://www.rolandus.com.
  76.  

  77. T. Rossing, R.F. Moore and P.A. Wheeler. The Science of Sound, Addison-Wesley, 2002.
  78.  

  79. S. Russell and P. Norvig. Artificial Intelligence: A Modern Approach, Prentice Hall, 1995.
  80.  

  81. Samir I. Sayegh. Fingering for string instruments with Optimal Path Paradigm. Computer Music Journal, 13(3):76-84, 1989.
  82.  

  83. Silicon Graphics, Inc. The OpenGL Graphics System: A Specification, April 1999. Version 1.2.1. Available from: http://www.opengl.org.
  84.  

  85. R. Slack. "The Use of Aural and Visual Aids", in Handbook for Music Teachers, Novello and Co Ltd., 1964.
  86.  

  87. C. Small. Music, Society, Education, Wesleyan University Press, 1996. 2nd Edition.
  88.  

  89. D.J. Spiegelhalter, A. Thomas, N.G. Best and W.R. Gilks. BUGS: Bayesian inference Using Gibbs Sampling, Version 0.50. MRC Biostatistics Unit, Cambridge, 1995.
  90.  

  91. Steinberg. Virtual Studio Technology Plugin Specification 2.0, Software Development Kit Documentation, 1999. Documentation Release #1.
  92.  

  93. E.R. Steinberg. Teaching Computers to Teach, Laurence Erlbaum Associates, Inc., 1984.
  94.  

  95. K. Swanwick. Music, Mind and Education, Routledge, 1988.
  96.  

  97. T. Takala, R. Hanninen, V. Valimaki, L. Savioja, J. Huopaniemi, T. Huotilainen, M. Karjalainen. An integrated system for virtual audio reality, 100th Audio Engineering Society (AES) Convention Preprint no. 4229. Copenhagen Denmark, 1996.
  98.  

  99. J.Taylor. Tone production on the Classical Guitar, Musical New Services, 1978.
  100.  

  101. J.Thomson. The Cambridge Companion to the Recorder, Cambridge University Press, 1995
  102.  

  103. A.J. Viterbi. Error Bounds for Convolutional Codes and an Asymptotically Optimum Decoding algorithm, IEEE Transactions on Information Theory IT3(2):260-269, 1967.
  104.  

  105. Paul White. basic MIDI, 2000. Sanctuary Publishing.
  106.  

  107. Paul White. MIDI for the Technophobe, 2000, Sanctuary Publishing.
  108.  

  109. Yamaha Corporation. Yamaha CS1x Data List, March 1996.
  110.  

  111. Yamaha Corporation. XG Specification, October 1998. Version 1.32.
  112.  

  113. Yamaha Corporation and Stanford University. SONDIUS XG Virtual Acoustic Modelling Synthesis. Available from: http://www.stanford.edu/group/cpdcorp/research/otlsondius.html
 
 


All content, including code and media, (c) Copyright 2002 Chris Nash.